The overview effect is a cognitive shift in awareness reported by some astronauts and cosmonauts during spaceflight, often while viewing the Earth from orbit or from the lunar surface.
It refers to the experience of seeing firsthand the reality of the Earth in space, which is immediately understood to be a tiny, fragile ball of life, "hanging in the void", shielded and nourished by a paper-thin atmosphere. From space, the astronauts tell us, national boundaries vanish, the conflicts that divide people become less important, and the need to create a planetary society with the united will to protect this "pale blue dot" becomes both obvious and imperative.
The robot artist:
e-David, our painting machine, uses visual feedback to create different kinds of paintings. We equipped a standard robot with all necessary means for painting. Five different brushes can be used, color can be selected from a repository with 24 colors, brushes can be cleaned and colors can be distributed precisely on the canvas.
The machine watches itself while painting and decides indepentently where to add new strokes. This way paintings are created that are not completely defined by the programmer but are the result of a visual optimization process. (informatik.uni-konstanz.de/en/edavid/news/)
CAMERA OBSCURA FILM PROJECT
This video is a part of a pinhole movie project based on the principle of the Camera Obscura. An apartment is completely darkened. A hole is made in a window, letting lights from outside coming in. Projections are taking place everywhere inside.
Stenop.es is looking for amazing places in order to continue its visual work. Contribute now on stenop.es
Film made without projector.
Cette vidéo fait partie d'un projet de film en sténopé basé sur le principe de la Camera Obscura. Un appartement est complètement obscurcit. Une ouverture est réalisée dans une fenêtre, laissant entrer la lumière du dehors. Des projections prennent alors place sur toutes les surfaces.
Stenop.es est à la recherche de lieux originaux à investir pour continuer son exploration visuelle. Contribuez sur le site stenop.es
Film réalisé sans projecteur.
Contact us & Follow us:
Film by Romain Alary & Antoine Levi
Music by Alexis Venot - VERANDA - Chez The Publishing
Special thanks to Pia, Emma, Younès, Greg, Gildas & Alexandre.
Here's another cool video I just stumbled upon on Vimeo.
"It's not what you start with or what you end up with, but it's what lies between the beginning and the end that's the meaning of the whole act of creation."
This is the story of Teacher, Scientist, Artist- Bobby Jaber.
Bobby is my Great Uncle and for years I have wanted to tell his story. This short documentary film doesnt even scratch the surface of the amount of work and art Bobby has produced. Sit back and enjoy what my family and myself have had all our lives, the artistry and story of Bobby Jaber.
Please check out my interview about this mini doc here: nofiction.co/blog/2013/8/8/altizer
Learn more about Bobby's work and procedures to producing his art at: porcelainia.com
If you are interested in purchasing some of Bobby's art you can contact him at: firstname.lastname@example.org
A film by Dave Altizer
Starring Bobby Jaber
Shot on Canon 7d in Technicolor Cinestyle picture profile.
Lenses: Canon 24L, 50L and 16-35L
Graded using Film Convert
Be sure to watch all the way to the end for a funny blooper :)
Midtown New York City is the place to be. The lights, cars, traffic, architecture and people make the city come to life as a living, breathing, organism that never sleeps. Take a trip with this time-lapse production into the city and see the sights and sounds that create this magnificent destination.
For us, this time-lapse production was produced using more than 50,000 still frames, shot over the course of 6 months traveling back and forth from Washington DC to New York City while we shot for clients. Our main goal was to capture the central part of the city in both visuals and audio. The sound effects used in this production were taken from the various locations we shot and were added in to give you the feeling of actually being there.
There were multiple times during this shoot that we were chased off, either by cops or the cold. The subway shots were particularly difficult to get, especially in the wake of the Boston bombings. We were led out and in some cases followed by police officers or MTA officials who seemed intent on getting us for using tripods.
The music is performed by the talented Danny McCarthy (Fracture)
(Music has been licensed through Killertracks.com)
The majority of this footage is own exclusively by 3rd party clients and we can not license out certain shots. If you're interested in licensing non-exclusive material please contact Andrew at email@example.com or call us at 513-259-9231
Our gear consisted of the following;
(4) Canon 5D Mark III's
(2) Canon 16-35mm f/2.8 II
Canon 24-105mm f/4
Canon 70-200mm f/2.8 II
This production would not be possible without the help, assistance, guidance and inspiration of some of the most talented people out there;
Arthur Breese, Jimmy Shea, Gregg Lehrman, Jay Burlage, CA Time-lapse Crew (Joe Capra, Colin Rich, Andrew Walker, Matt Givot, Chris Pritchard, Michael Shainblum, Eric Hinds, Ben Canales, Sheldon Neil) Richard Bently, Patryk Kizny and the rest of the time-lapse community.
MIDTOWN - Cinematography, production and motion graphics by Andrew "Drew" Geraci
©2013 District 7 Media All Rights Reserved. No images, video or parts of this production may be used without authorization. This production is for portfolio use only.